Production OS
Workspaces, roles, locked templates and auto-build workflows. The daily 90-minute build job becomes a "review and approve" step. Sarah's desktop stops being the source of truth.
AudioSnag Enterprise is a production operating system for audio-heavy businesses. Broadcasters, podcast networks, sports media, newsrooms, agencies, corporate comms. The bit that turns raw recordings into finished files, searchable archives, sponsor proof packs, social cutdowns and published episodes — without producers rebuilding the wheel every day.
across three enterprise-sized audio groups — and that's just the labour line, before archive reuse, faster sponsor proof and fewer publishing screw-ups.
The Mac product handles editing, podcast assembly, replay packaging and reporting on one bloke's desktop — that's a separate page. Enterprise is the big SNAG. It governs the whole production line across a media business: ingest, workflow, approvals, archive intelligence, compliance, publishing, social. Same DNA. Different scale.
Workspaces, roles, locked templates and auto-build workflows. The daily 90-minute build job becomes a "review and approve" step. Sarah's desktop stops being the source of truth.
Every segment, grab, music cue and sponsor read becomes searchable by speaker, topic, rights status, market. "Find every Tommy Little clip under 90s about AFL finals." Old audio stops being dead storage.
APRA/PPCA cue reporting, sponsor proof packs, rights flags, chain-of-custody audit trails. The bit that makes the CFO and the legal team breathe out.
SSO/SAML, SCIM, MDM deployment, audit logs, webhooks, API, on-prem option. IT deploys it like proper business software — not a clever tool on one producer's laptop.
The product isn't live yet. Click for a closer look. No, you can't drag them out.






Built around the brainstorm. Some of it ports straight out of the Mac product. The rest is new and only exists in the Enterprise build — the bits that turn a desktop tool into an operating system for an entire media business. We're leaving the spicy details out until pilot.
Producer, senior producer, talent, legal, sales, IT, manager — each with a role, each with permissions. Workspaces per show, per market, per podcast network. Templates lockable down to the sponsor sting.
Ingest → detect → transcribe → build → QA → publish. Trim ads, remove music for podcast, chapterise, normalise loudness, generate notes. 90-minute job becomes a review step. Configurable per show.
Every piece of audio becomes searchable by speaker, topic, sponsor, segment type, rights status, market, language. Old audio turns into reusable content inventory. Probably the biggest enterprise unlock.
Music cue reports, sponsor mention logs, rights expiry flags, safe-for-podcast checks, chain-of-custody. The reporting line item that turns audio ops from "creative cost" into "managed function".
Omny, Megaphone, Triton, Spotify, YouTube, TikTok, Reels, station CMS, SharePoint, S3, internal DAM. Producers stop uploading the same file into five different systems at 5:59pm.
High-energy moment detection, transcript-based clip selection, branded frames, captions, sponsor end cards, platform presets. One episode → ten platform-ready clips without a separate video editor.
One source episode → Melbourne version, Sydney version, national version, sponsor-specific version, podcast version (no music), short replay. Rules engine handles the lot. Massive duplication killer.
"Build the standard Drive podcast from today's files." "Three social clips with captions." "APRA report for this week." It runs workflows — not chatbot waffle. Sits inside the editor.
SAML/SCIM, MDM deployment for Mac fleets, seat pools, licence management, update channels, version pinning, storage quotas, central app config. IT can deploy it without crying.
Embargoed audio, talent contracts, unreleased interviews, legal-sensitive material — stays where the business says. Workflow scales. Files don't get casually uploaded to a random web service.
Priced against measurable workflow savings. The Enterprise scope unlocks more than labour — but we model labour first, because that's the line a CFO doesn't argue with.
across three enterprise-sized audio groups
Built from conservative workflow assumptions on real production data. Excludes archive reuse and compliance avoided cost.
Fast enough for the budget conversation
Takes repetitive production chores out of expensive staff hours. Most pilots clear payback inside one show cycle.
Per enterprise account, size-adjusted
Priced against value created, not seat count. On-prem and custom integrations sit above the envelope.
The model is deliberately simple. Identify the users. Estimate conservative time savings. Apply loaded labour cost. Price the licence against value created. We're modelling only labour for now — archive reuse, faster sponsor proof, compliance avoided cost and revenue from social multipliers all sit on top.
Producers, editors, content staff, reporters, ops roles and IT who repeatedly touch ingest, build, approve, publish, report.
Conservative per-user annual saving applied by workflow family. Model deliberately pulls back so the case doesn't depend on heroic assumptions.
Loaded hourly cost = salary midpoint × 1.16 ÷ 1,976. The 1.16 covers super and conservative on-costs.
Annual hours released × loaded hourly cost. Measures labour value returned, not speculative extra revenue.
Enterprise licence priced at roughly 10–20% of measured value created. Onboarding, integration work and on-prem deployment sit above.
Three enterprise-sized audio groups used as target profiles. No specific companies named. Tee hee.
modelled annual labour value
13.6k hrs released from repetitive workflows
modelled annual labour value
9.5k hrs released from build & publish
modelled annual labour value
5.6k hrs released from social & proof packs
We keep the desktop product local-first and supportable. Enterprise stacks the org around it. The Mac feature list lives on its own page — this page is the bigger thing.
Prove adoption, minutes saved and buyer payback on one flagship show before committing to a network-wide licence.
Baseline the current manual workflow. Time the human cost honestly.
Pilot on one flagship show plus its digital & podcast spine.
Measure weekly active use, minutes saved, build reliability.
Price the annual licence against measured labour value.
AudioSnag Enterprise targets the production chores that quietly chew through expensive team hours across an audio business. Clear buyer pain, measurable savings, low-friction rollout — and a back catalogue that finally pays its rent.